A catalogue of one of Sarah Lucas’s, part of the YBA generation of London-based artists in the 1990s, most iconic series. Lucas’s sculptural ‘bunnies’ are formed of tights stuffed with wool and attached to chairs, creating amorphous beings that question presentations of femininity in modern culture. The series, started in 1997, spans Lucas’s over-three-decade career, surveyed by this book in its entirety.
